![]() Consider how the tale’s point of view influences the tone of the storey as you read it. When writers want to look at large social concerns, they frequently employ this point of view. Unlike stories told in the first person, stories told from the perspective of an omniscient character provide a broader, and perhaps more reliable, perspective. Before the school bell rang, they were itching to tell everyone, to describe, to-well, to brag about their doll’s house. The next morning, the Burnell children could not walk quickly enough to get to school. The omniscient narrator in “The Doll’s House,” for example, discloses the private wishes of various characters, including the Burnell children. This kind of narrator is sometimes omniscient, or all-knowing, and has the ability to expose the thoughts and feelings of multiple characters. The Doll’s HouseĪ story being told in the third person has a narrator who is not a character but rather an observer from the outside. ![]() Mansfield challenged the elitist system in her fiction. A person’s social status was usually set by birth, and climbing the social scale was difficult. During the period, British society was divided along tight class lines. When the British emigrated there, they brought not just their goods, but also their original land’s societal prejudices. This story takes place in late 1800s New Zealand, which was then a British colony. Many of her writings, notably “The Doll’s House,” are based on her childhood memories. Mansfield never returned to New Zealand, but she stayed in touch with her hometown in spirit. Her best works demonstrate her use of experimental narrative techniques to provide vivid insights into the minds of her characters. ![]() Despite the fact that she lived only 34 years, Mansfield was a master of the short tale and established a distinct prose style. ![]()
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